It’s another Simplicity 1251! This pattern comes with a template and instructions for needle-felting a rose design on the sleeves and hood. Now, I wasn’t going to needle-felt by hand and I don’t have a machine that can needle-felt, but I liked the idea of adding something to relieve the stark black of this hoodie. I worried that hand-embroidery would be too delicate (the idea was to be able to throw this in the wash easily), so I decided to try fabric paints.
The paint I used is Jacquard Lumiere #223 (“Brass”), which I found, to my surprise, at my favorite local trim store, Pacific Trimming. (Never having been in the market for fabric paint before, I just never noticed that they had a rack of it in one of the windows. It’s also available at Dharma Trading Co., for those who aren’t NYC locals.) I found a nice leaf template on Etsy (I got the 9″ x 9″ size), unearthed some unused makeup sponges, and my attempt at fabric painting commenced. Turns out it’s kind of difficult to stencil on sweatshirt fleece, but I’m still pretty happy with the results!
Oh yes, the fabric is the thick, cozy Beefy Cotton Solid Fleece from The Confident Stitch (thank you to Lladybird for linking to that). I’m so glad I discovered this because I’d been having a really hard time finding thick sweatshirt fleece. (It’s not like sweatshirts are rare items…why is cozy sweatshirt fleece so difficult to find??) (Side note: This does shed A LOT in the wash on the first washing–I’ve only washed it once so far and am hoping now that all the edges are finished it won’t do that again…but oof! The drains in my laundry room were not happy.)
Unfortunately, this particular fleece actually isn’t a great match to the pattern–the fabric has very little stretch and the pattern calls for some, so the hoodie ended up being pretty tight (even after I reduced the side-back and sleeve seams to 1/4 inch), especially in the upper arms. That is totally my fault, though–I would absolutely use this fabric again in an instant, but maybe with a pattern for a nonstretch woven (or perhaps I should’ve just made a bigger size?). Anyway, it’s wearable without anything underneath, but doesn’t quite fit the bill for what I’d intended: a warm tunic to throw on as an extra layer.
So we’ll see how much wear I get out of this garment. But at the very least, I’ve now discovered that stenciling on fabric is quite easy and quick, and I’ve found a great source of sweatshirt fleece, so even if I don’t end up using this particular make too often I’m pretty excited about those two facts!
As soon as I saw the announcement for the Laneway Dress, I knew: At last, here is the perfect excuse to buy that bloodsplatter fabric I’ve been dying to get!
The black fabric is a cozy cotton flannel, and the skirt is underlined in a delightful red antistatic lining to keep it from sticking to tights.
I did my usual grading to a larger size for the hips, but otherwise didn’t make any changes to the pattern! The open darts in front are nice and low (usually I have to lower the bustline) and the waist is high, which I prefer. I could’ve cinched it a bit tighter in the side seams, but right now it’s really comfy without looking oversized.
(Yes, I already owned these tights. Obviously I had to pose in them.)
Generally I prefer a fuller skirt, so if I make this again I might substitute a circle skirt. But I really like the fit overall, the nice V in the center back neckline, and of course…
I think this would be an easy pattern to dress up for cocktails or the office, or dress down for a casual sundress. Or, uh, just to finally have an excuse to use some novelty print…. 😉
Now I still have 3/4 of a yard of this bloodsplatter fabric–what should I do with it?
I decided that I’ll probably be going to an event next summer that would be a great excuse for making a full Edwardian daywear outfit. And since I have almost a year and I’ve been wanting to make a suit with an Eton jacket (probably in navy blue) for a while, I’m embarking on sewing the full thing from the skin out (as I have no actual Edwardian pieces at all). If I complete about one garment per month, I’ll be in good shape and shouldn’t feel too rushed.
First up: the chemise. I used the chemise in Truly Victorian’s TVE02 for this with no modifications. My decorations are pintucks, ribbon, and eyelet lace. For I think the first time in my life, I made this entirely out of materials from my stash! (Note to self: Always buy large amounts of cotton lawn when you need to restock–it will always be used!)
(Left: front. Right: back.) I appreciate that the pattern has you neatly enclose all raw edges. Though I’m guessing it assumes you’re using lace with a finished edge on both sides and since mine was not finished on one side I ended up using self-made bias tape on the armholes.
No photos of me actually wearing the chemise since it’s, um, pretty see-through.
I’ve also completed these mysterious items:
That’s a hip pad and bust forms from TVE01. I honestly have no idea how the bust forms are supposed to be worn and the pattern gives you no clue; guess I’ll figure that out once I’ve got the corset going??
Speaking of . . . Next up is the corset! Then I’ll be doing a combination, skirt, shirt, and the jacket. And I should really decorate a nice big hat to complete the whole outfit.
It’s getting cooler, right?! This sweater has been in my sewing queue for at least two years, so it’s quite an accomplishment that I finally made it (and it only took about 4 hours, so I don’t know what my hangup was). Anyway, the pattern is the Pinup Sweater from Gertie Sews Vintage Casual, cropped (like, I think I chopped 7-8 inches off) and with long sleeves. The sleeves and bodice are finished with wide bands. The sleeves are a little long, but I keep making things with the sleeves ending up too short, so I’m leaving them for now.
The fabric is a soft and drapey cotton/poly hacchi sweater knit (no longer available, sorry). I have about half a yard left and I need to find something to do with it since it is so, so soft.
Anyway, hopefully this will be a versatile staple for the cooler months (or, honestly, for the office air conditioning in the summer).
Another summer party dress! This one is made from stretch poplin, which gave me the courage to finally make a tight-fitting bodice in a woven fabric. The bodice is McCall’s 6989, which I modified by making the front a V-neck (which included adding a center front seam) and leaving off the sleeves.
The dress is unlined and the neckline and armscyes are finished with bias binding.
The skirt is a full circle skirt with, of course, pockets.
I kind of wish I’d piped the bodice princess seams and waist to make it more obvious that I was in no way attempting to pattern-match there, ha. And that I’d lowered the neckline a bit. Next time. Looking forward to dancing in this at an event in early September!
My outfit for the Outfit Along 2017 is complete! My knitted garment is an Evening Spencer Jacket in red cotton and the sewn garment is a self-drafted skirt. Details on the knitted jacket (including lots more photos of it) are up on Ravelry. The skirt is a linen/cotton blend and this is roughly the pattern I used:
I call it a 1/4+ circle skirt for obvious reasons–it starts with a 1/4 circle, but has a couple of extra panels added on the back for a bit more width (the width of the back panels was determined by what I could eke out of 2 yards). The waistband is just bound in bias tape and it closes in center back with a zipper.
This isn’t exactly what I ended up with, though. It turns out that even with the extra panels and even with it sitting low on my waist, it wasn’t quite wide enough for my hips/butt (sigh). I lowered the waistband (trying to bring wider areas up higher) and took in the extra width at the waist in two pleats around the center back. (Darts would’ve been an elegant solution, but I couldn’t get them to look right.) It’s still not quite as wide as I’d like, but it works. Next time I’ll just go with a half circle!
Of course I added pockets. Patch pockets this time since there aren’t any side seams–with fun embroidery! These are hand-embroidered; on the skull pocket I used Skully Stitcher from Urban Threads (in white and red to match the jacket) and for the other pocket I just picked up some elements from that design.
Anyway, have some more photos, including a kitty photobomb:
I finished this dress months ago and have worn it to two events now, so I think I should just accept that I’m not going to get any better photos. I do think it looks much better in person–but of course the only time I remembered to get photos was when I was already sweaty and shiny in the middle of a ball. Oh well!
This is another McCall’s 7160, View C. This time it’s in a lovely wine-colored rayon jersey (that seems to no longer be in stock) with a black lace overlay (the sleeves left unlined). If I’d bothered to get swatches first, I might’ve gone with a brighter color to contrast better with the black lace. But, again, oh well! The belt is just a length of wide satin ribbon held in place by a couple of thread belt loops. Of course, it has pockets.
Anyway, it looks kind of limp and unexciting in these photos, but that circle skirt swings nicely when dancing. (Someone was taking a video of at least one dance this evening and I keep hoping it gets posted somewhere, but nothing has materialized yet.) Plus, I can scrunch it up in my suitcase for easy transportation to dance events–no need for a garment bag.
I admit, this was almost 100% copied from Marcy Hariell’s Giselle
. In fact, it’s thanks to her post that I discovered and bought the pattern
in the first place, so it’s kind of funny that it’s taken me this long to actually make the maxi version! (I did make View A a few years ago.)
The fabric I used is a lovely, cool rayon challis, which sadly doesn’t seem to be available anymore. I did underline the midriff with cotton lawn to give it a bit of stability since it’s very drapey and shifty. I started with View B, and make the following changes:
- Added the sleeves (I used the View A upper bodice and back pieces).
- Lowered the bustline to get the midriff under my bust, which caused the lower edge of the midriff to hit my high waist, so to me it doesn’t really read as an empire waist (this is what happens when you have a “short” waist). Beware, this makes it rather low cut! I debated adding a piece of lace to fill in the V a bit, but Instagram/laziness convinced me that it’s okay as is.
- Swapped the two skirt pieces so that the longer one was on top, though now I’m wondering if it would’ve been better the other way–eh, I’m happy with it in any case.
- Added in-seam pockets!
I was planning for this to be a casual summer daytime dress, but I feel like the fabric makes it look pretty fancy. Oh, well! Now I have a dress for summer cocktail parties (if I ever go to any, ha).
I don’t know what I was expecting, but this dress just turned out . . . blah. It’s McCall’s 7349, which I have made and loved before. The differences from the last one are:
- Short sleeves
- High-low skirt (my attempt at making it less blah)
- Lower neckline w/ band instead of facing
Maybe it needs to be shorter? (But here’s the thing–I dislike exposing the skin in my legs to the subway seats, so I tend to only wear shorter skirts in cold weather, when I’ll be wearing tights anyway.) Maybe it needs a more interesting neckline? Fabric with less drape? More flare in the skirt? Exciting accessories??
I don’t know, but I think I’m done messing with it. The fabric is some bouncy, spandex-y stuff that came in a kit for a skirt. I discovered after cutting out half the skirt pieces that there wasn’t enough fabric (grr!!!), so turned it into this instead.
To be fair, the dress is really comfortable and cool, and will protect my skin from the subway while not flying up in a stiff breeze. Plus, it’ll be easy to add layers to it (such as the jacket/cardigan I’m knitting!). So I may end up wearing it a lot this summer despite my current lack of enthusiasm. We’ll see.
Speaking of knitting, I’m joining this year’s Outfit Along! I confess, I’m using a knitting project already in progress rather than starting a new one, but my excuse is that I’m a beginner and was already well into my first top when the OAL was announced. I’m afraid I’d lose my momentum if I set is aside for a couple of months. So the garments I’ll be making are:
- Evening Spencer Jacket in red cotton
- Quarter-circle maxi skirt (self-drafted) in a black linen/cotton blend (hopefully with some embroidery if I still feel inspired when I get to that stage)
Finally, it’s the black purse that’s been on my to-do list for about a year. This is another Date Night bag, and the fabrics are the same as the ones I used for my Halloween Essential Wristlet.
Modifications from the pattern were:
- Make the front pocket a zipper pocket (with a horizontal opening this time)
- Add an interior zipper pocket
- Replace the strap with loops and D rings
Not much else to say about this one!
Oh, yes–I picked up this delightful skull charm at the Texas Renaissance Festival last year. Isn’t it great?